Theo criticised The Potato Eaters for its dark palette, which he thought unsuitable for a modern style. [220] During Van Gogh's stay in Paris between 1886 and 1887, he tried to master a new, lighter palette. His Portrait of Père Tanguy (1887) shows his success with the brighter palette and is evidence of an evolving personal style. [221] Charles Blanc's treatise on colour interested him greatly and led him to work with complementary colours. Van Gogh came to believe that the effect of colour went beyond the descriptive; he said that "colour expresses something in itself". [222] [223] According to Hughes, Van Gogh perceived colour as having a "psychological and moral weight", as exemplified in the garish reds and greens of The Night Café, a work he wanted to "express the terrible passions of humanity". [224] Yellow meant the most to him, because it symbolised emotional truth. He used yellow as a symbol for sunlight, life, and God. [225] The state is made up of two halves, in north Goa the golden beaches are brimming with working fishermen, sunshades and vendors. By contrast, south Goa comprises secluded coves and stretches of sugary sand boarded by swinging palm trees. Take a guided tour of Goa with a local resident

a b Van Gogh (2009), Letter 228. Vincent to Theo van Gogh, The Hague, on or about Tuesday, 16 May 1882. Day, James (23 April 1974). "Irving Stone interview". Day at Night. Archived from the original on 14 November 2021 . Retrieved 2 August 2017.Vincent van Gogh to Theo van Gogh: 9 December 1875". www.webexhibits.org. Archived from the original on 3 March 2021 . Retrieved 1 January 2021. At some point, Mukaku discovered an instruction manual of a nameless martial art that he would steal and make his own. In the 1940s, Gaoh Mukaku took part in the Kengan matches, spreading the name of the " Gaoh Style" to the criminal underworld. [2] Van Gogh (2009), Letter RM20. Vincent to Theo and Jo van Gogh-Bonger. Auvers-sur-Oise, Saturday, 24 May 1890. Hemphill, R. E. (1961). "The illness of Vincent van Gogh". Proceedings of the Royal Society of Medicine. 54 (12): 1083–1088. doi: 10.1177/003591576105401206. PMC 1870504. PMID 13906376. S2CID 38810743.

Hulsker, Jan (1990). Vincent and Theo Van Gogh: A Dual Biography. Fuller Publications. ISBN 978-0-940537-05-7.Van Heugten, Sjraar (1996). Vincent van Gogh: tekeningen 1: Vroege jaren 1880–1883[ Vincent van Gogh: Drawings 1: Early years 1880–1883] (in Dutch). V+K. ISBN 978-90-6611-501-9. I always recommend exploring Mumbai at dawn. Trust me, it’s worth the 5am start. You’ll be surrounded by the city as it rumbles into life and the magic is, the flurry of activity is completely swept away before many have had breakfast. Mukaku was a powerful martial artist who never was defeated in battle, despite battling constantly over thirty years using the Gaoh Style. He later created the Niko Style, showing immense mastery of the style. He also shows proficiency in the Long Clan Style, knowing even a secret technique. Even at a hundred now, he shows no opening in battle, proving to be a deadly force with each strike meant to kill instantly. See also: Décoration for the Yellow House, Langlois Bridge at Arles, and Saintes-Maries (Van Gogh series) The Yellow House, 1888. Van Gogh Museum, Amsterdam Arnold, Wilfred Niels (1992). Vincent van Gogh: Chemicals, Crises, and Creativity. Birkhäuser. ISBN 978-3-7643-3616-5.