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D'Alessandro, Anthony (July 8, 2020). "Blumhouse & Universal Move 'Halloween Kills', 'Forever Purge' & More To Later Release Dates". Deadline Hollywood. Archived from the original on September 27, 2020 . Retrieved October 20, 2021. Librarian of Congress Adds Home Movie, Silent Films and Hollywood Classics to Film Preservation List". Library of Congress. Archived from the original on April 12, 2020 . Retrieved April 30, 2020.
Portner, Dave. "Don't Call John Carpenter A Horror Movie Director, Says John Carpenter". Interview Magazine . Retrieved November 3, 2023.Halloween". Houseofhorrors.com. Archived from the original on April 6, 2015 . Retrieved March 7, 2015. a b Ebert, Roger (October 31, 1979). "Halloween". Chicago Sun-Times. Archived from the original on October 15, 2018 . Retrieved September 8, 2018– via RogerEbert.com. Halloween: 25th Anniversary Edition DVD". Film Threat. August 14, 2003. Archived from the original on September 8, 2018 . Retrieved September 5, 2018. Can I design desktop wallpapers? Yes, you can! You do not need to be a graphic designer for you to do this. All you need to do is to know how to save images as wallpapers, and there you go! You will have a wallpaper that suits your needs and preferences. Smith, Steve; etal. (2003). Halloween: A Cut Above the Rest (Documentary). Prometheus Entertainment. OCLC 929885060.
The Los Angeles Times deemed the film a "well-made but empty and morbid thriller", [113] while Bill von Maurer of The Miami Times felt it was "surprisingly good", noting: "Taken on its own level, Halloween is a terrifying movie—if you are the right age and the right mood." [114] Susan Stark of the Detroit Free Press branded Halloween a burgeoning cult film at the time of its release, describing it as "moody in the extreme" and praising its direction and music. [32] Baird, Robert (Spring 2000). "The Startle Effect: Implications for Spectator Cognition and Media Theory". Film Quarterly. 3 (53): 12–24. doi: 10.2307/1213732. JSTOR 1213732. S2CID 28472020. Johnson, Kenneth (1993). "The Point of View of the Wandering Camera". Cinema Journal. 2 (32, Winter 1993): 49–56. doi: 10.2307/1225604. JSTOR 1225604. S2CID 147402792. Matt Rife Goes Viral Again For Resurfaced 'Wild 'N Out' Joke That Showed Him Grabbing Zendaya's Face Without Her Consent: "Keep Your Hands Off Her!" Fox, Jordan R. (Summer 1980). "Riding High on Horror". Cinefantastique . Retrieved November 2, 2023.
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Dr. Daniel Wyman". Faculty and Staff. San José State University. Archived from the original on July 20, 2011 . Retrieved September 23, 2010. You know how, in slasher films, the individual doing all of the principal slashing tends to advance relentlessly? How that individual never stops never stopping, becoming an unstoppable juggernaut of jump scares and bloodletting? Well, that’s a behavior learned from the slasher film genre itself, which just keeps reappearing with every horror movie cycle. Guns, knives, high voltage, high places, TNT, hexes, curses, seances: nothing stops a slasher, and for 40-plus years, the masked and coveralled psychotic Michael Myers has been the genre’s franchise player. Scholar Carol J. Clover has argued that the film, and its genre at large, links sexuality with danger, saying that killers in slasher films are fueled by a "psychosexual fury" [11] and that all the killings are sexual in nature. She reinforces this idea by saying that "guns have no place in slasher films" and when examining the film I Spit on Your Grave she notes that "a hands-on killing answers a hands-on rape in a way that a shooting, even a shooting preceded by a humiliation, does not." [12] Equating sex with violence is important in Halloween and the slasher genre according to film scholar Pat Gill, who made a note of this in her essay "The Monstrous Years: Teens, Slasher Films, and the Family". She remarks that Laurie's friends "think of their babysitting jobs as opportunities to share drinks and beds with their boyfriends. One by one they are killed ... by Michael Myers an asylum escapee who years ago at the age of six murdered his sister for preferring sex to taking care of him." [13] Carpenter has distanced himself from these interpretations, saying "It has been suggested that I was making some kind of moral statement. Believe me, I'm not. In Halloween, I viewed the characters as simply normal teenagers." [14] In another interview, Carpenter said that readings of the film as a morality play "completely missed the point," adding, "The one girl who is the most sexually uptight just keeps stabbing this guy with a long knife. She's the most sexually frustrated. She's the one that's killed him. Not because she's a virgin but because all that sexually repressed energy starts coming out. She uses all those phallic symbols on the guy." [15] Debra Hill, who co-wrote and produced the film, also dismissed the idea saying, "There was absolutely no intent for that to be the underlying reason. I was raised a Catholic schoolgirl and what leaked into the script is my Catholic sensibility. It was totally unintentional." [16]
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